Tag Archives: visibility

Video: Recognizing Each Other: Adoptees of Color

Recognizing Each Other Video Transcript

Just over a month ago, I met up with two other queer adoptees of color to talk about adoption.  Mariama Lockington is a queer black transracial adoptee and So Yung Kim is a queer korean adoptee, both of whom have done writing and work around adoption.  (We had over an hour and a half’s worth of footage, so it took awhile to whittle it down and pull out some of the highlights and pieces from what was shared.)

As with my last video*, whenever I get to hear queer adoptee of color stories, I am entranced.  I crave adoptees of color that want to talk about adoption, what it was like for us growing up and how we are still being impacted by adoption—and always will be.  I crave time and experiences with other adoptees of color that is not mitigated through, by white people, white parents and non-adoptees.  It is so rare that I get to hear queer adoptees of color talking about our lived experiences.

I love hearing our words (all of them, in whatever way they come tumbling out) and feel ever-so appreciative, especially knowing how long I went without ever hearing any of our voices tell our own stories and stumble through sharing and asking and loving.

As adoptees, it is so important for us to tell our stories and to leave evidence for each other.  We are often isolated, individualized or discouraged from connecting our stories with each other.  There may be adoptees who will watch this in secrecy, who have never met another adoptee, who never talk about being an adoptee with anyone in their life or don’t think about how adoption impacts them.  It is not easy.

Our stories are all so different and complex and they all have value–we have value.

We will not be polarized, made one-dimensional and pitted against each other.  I don’t want to be used by non-adoptees to prove, justify, and support arguments about adoption that don’t include us, profit off of us or don’t speak to our whole, full and various lived experiences.  There is no “good adoptee” or “bad adoptee,” as many of us may have come to understand.  We are complicated, our lives are complicated, our histories are complicated; our identities are complicated.  And as adoptees of color, all of us have the lived experience of being people of color who were adopted, and that thread connects us all.

Immense love and gratitude to Mariama and So Yung for sharing some of your story, knowing that it’s not all of your story.  Thank you for your honesty and humor.  And most importantly, love and gratitude for being visible (as adoptees), for being recognizable to me and for recognizing me.

(*This is the second video in a series of videos I am making for Leaving Evidence.  They are video snap shots of some of the brilliance and deep complexities that we hold individually and collectively, as a people.  We must leave evidence for each other.)

Advertisements

9 Comments

Filed under Video, Writing

Reflecting on Frida Kahlo’s Birthday and The Importance of Recognizing Ourselves for (in) Each Other

self portrait of Frida wearing a white brace-like aparattus that wraps around her chest and torso four time and come over her shoulders. A broken cement column is in place of her spine going from her neck to her waitst, a sheet covers her naked body from the waist down.  There are metal nails nailed into her on her skin and the white sheet, her breasts are exposed and she is crying, though her expression is stoic.   Today is Frida Kahlo’s birthday.  In honor of her and her work, I took time to sit, breathe and reflect on Frida and all that her work has meant to me. I often think about Frida and what it means to recognize each other, as disabled queer women of color.  I don’t know if Frida would have described herself as “disabled;” if she would have even used that language, that thinking.  Would she have thought of herself as what we understand as “queer,” using whatever language and words she chose around her open bisexuality?  I don’t know.

I found Frida when I was young, and it seems I have been continuing to find her my whole life.  Frida was originally introduced to me when I was a young teenager as a feminist symbol; as a “strong woman of color artist.”  As one of the few non-black woman of color thrown in amongst majority white women, I remembered her.  It was only later that I found out she, like me, had polio as a child and about her bisexuality.  For me, Frida was a symbol of one of the few disabled queer women of color that I knew of.  Her paintings conveyed things beyond words about bodies, death and pain at a time before I had the tools and language with which to talk about disability, surgeries, legs, spines, backs, pain, womanhood, suicide, shame, desire and self-hate.  She was a necessary reflection of parts of me when I felt so alone, cut-off, isolated and like a freak.  Her paintings were some of the only visual images of disabled women of color that I had, period.  And the fact that she was painting herself and deciding how she wanted to be seen and understood was even more powerful.

Frida helped me to recognize pieces of myself and for that I will forever be grateful.

To me, Frida was descriptively disabled and queer, even though she may not (or may) have identified as such or used that language.  When I say “descriptively disabled”, I mean someone who has the lived experience of being disabled.  They may not talk about ableism, discrimination or even call them selves “disabled,” but they know what it feels like to use a wheelchair, experience chronic pain, have people stare at you, be institutionalized, walk with a brace, be isolated, etc.  There are many people who are descriptively disabled who never become or identify as “politically disabled.”  When I say “politically disabled,” I mean someone who is descriptively disabled and has a political understanding about that lived experience.  I mean someone who has an analysis about ableism, power, privilege, who feels connected to and is in solidarity with other disabled people (regardless of whatever language you use).  I mean someone who thinks of disability as a political identity/experience, grounded in their descriptive lived experience.  (The same is true for descriptively queer, descriptively woman of color, descriptively adoptee and so on.)  I don’t know if Frida was politically disabled or queer.

This distinction is helpful for me, because the majority of the disabled women of color (especially disabled queer women of color) I meet are descriptively disabled, not politically disabled, as was I for a long time.  Or they are descriptively queer, not politically queer.

in this painting, frida is in her wheelchair, next to a portrait of Dr. Farill.  She is dressed in a white top and black long skirt and holds her paint brushes in one hand and her palette in the other.Though it is hard, it makes sense to me because the risks of being a political queer disabled woman of color are great.  The risk of more isolation, more stigma, more annoyance (“You’re bringing that up again??”), more visible-invisibility can be too much to even consider.  The risk of being yet another woman of color who is thought of as “too much.”  I meet queer women of color who are descriptively disabled, but have enormous resistance to thinking of themselves as disabled. Narratives of “independence,” “miracle,” and “super crip” abound or the cost of being a political disabled woman of color is too high and survival as a disabled person depends on not connecting their disability with their race…or queerness.  (And the cold, hard truth is that there is just as much ableism within queer communities as there is within straight communities—don’t be fooled.)

The risk of having to begin to have conversations about ableism, access and power in our families, with our caregivers, attendants, co-workers, friends and lovers is tremendous, often times threatening the very delicate web of access we’ve managed to create—threatening our very survival.  How do you talk about queerness when it is assumed you have no sexuality as a disabled person, while simultaneously you are washed with racist gender stereotypes about women of color’s desire and sexuality?  What does it mean to be stripped of our sexuality at the same time we are hypersexualized at the same time that we are infantilized at the same time that it is assumed we will shoulder the brunt of the work?  There is great risk in visibility.

And even when we are visible as disabled queer women of color, sometimes we don’t even recognize each other.  We don’t recognize each other because we’re not taught how to do it; because we’re taught how to be afraid of each other.  Because we are taught how to not recognize each other more readily than we are taught how to find each other.  Where are we? How do we find each other? And how do we do the work to recognize each other and to be recognizable to each other?  Sometimes, as is so often the case with queerness (and disability), I see you, but I don’t know if you see me.  I feel this acutely with adoptees.  We share space together, but often times we don’t know how to recognize each other.  We look right through one another, or avoid each other as if we were taught some kind of secret script.

I wonder about Frida and my recognition of her and if she would have recognized me.

I want you to recognize me.  And I want to leave evidence about how I made myself recognizable to you (for you) and about how I tried to find you—to make it easier for the next time we are faced with ourselves/each other.  Because there were so many times I chose not to recognize myself inside of me as well—there were times I avoided pieces of myself.

We can learn how to recognize each other.  We can teach each other.  We must practice recognizing each other.  And we need as many visible queer disabled women of color as possible to help us get there.  As many of us who are living our lives and are able to leave trails and stories about the way we felt, looked, moved, survived and created.   As many of us who refuse to let our disabled queer struggles get subsumed by the able bodied queer movement as only queer; who refuse to let our disabled people of color stories get subsumed by the white disability movement as only disabled; who refuse to be invisible, for the sake of each other.  As many of us who are cultivating the elder in us all to be here (in whatever way we can) for those who come after us, because we need them and they will need us.

So, today, on Frida Kahlo’s birthday, I sit in gratitude for her paintings.  They were an avenue of recognition for me.  They were a way for me to recognize pieces of her, and in turn, a way to recognize pieces of my self, and allow me to recognize others.  I thank her for her life and her honesty and all of the complexities she holds.  Thank you.

photgraph of frida laying in bed painting.  Diego Rivera is next to her, looking on and holding her palette.“I paint myself because I am so often alone and because I am the subject I know best.”  –Frida Kahlo

26 Comments

Filed under Writing